The openness of the headline face made designing a matching text face very straightforward. Comes in give weights - light, regular, medium, bold and black. Tons of OpenType alternates included, over 600 characters in all.ĭesigned by Lukas Schneider. It comes from the tradition of window sign painting, but its thick hand-brushed characters - with alternates for almost every upper and lowercase letter - have a personality all their own. Inspired by Argentina and its culture, Alejandro Paul’s Candy Script captures the country’s spirit. The final result is a perfect match for Stag, and also works as a muscular counterpoint to just about any elegant serif face.” “The normal/quirky balance is a bit different in the heavy weights, which are more likely to be used for enormous headlines. Geometry in service of Typography, rather than opposite. Rondana is a tribute to the purity of line and futuristic aesthetics of the 60s and 70s. The heavy end of the family is based in part on Paul Renner’s Plak, a relatively obscure display typeface cut only in large sizes of woodtype, that is related to his heavier weights of Futura but has rounder, friendlier, fatter proportions”.
“I ended up drawing inspiration from all parts of the 20th century. Not released yet, but worth to be kept in mind. This typeface was born as Endexamen of the postgraduate study TypeMedia in The Hague. “Beorcana has what it takes to become a classic.” Beorcana fills a niche in book typography and also serves a wide range of purposes from fine print, cartography, and information design to signage, editorial design and invitations. Beorcana is unusual for a sans serif type it is designed for extended reading.
This typeface comes in 5 weights three of them are free.īeorcana is a calligraphic sans, or serifless roman. Beside ligatures, contextual alternatives, stylistic alternates, fractions and proportional/tabular figures Museo also has a ‘case’ feature for case-sensitive forms. This OpenType font family comes in five weights and offers supports CE languages and even esperanto. All styles include Small Caps, lining and oldstyle figures in proportional and tabular widths, and a range of arrows and other symbols.Ī contemporary semi-slab serif font. FF Meta Serif is available in four weights: Book, Medium, Bold, and Black, each with Italics. Now what you see is what you get, a harmonious serif/sans type system. The designers created a typeface with metrics that are not identical to FF Meta, but optically the same. Type & Graphics by Henning Skibbe.Ī collaborative work by Erik Spiekermann, Christian Schwarty and Kris Sowersby. Comes in Roman and Italic with seven weights each. It serves well in attention seeking headlines. The Haptic family is a sans serif typeface which was optimized for use in small sized text. So which typefaces are “bulletproof”? What fonts can be used effectively in almost every Corporate Design? And what are the options for unique, but still incredibly beautiful typefaces? Let’s find out.
60S FONTS SANS SERIF FREE
Please notice that they are not free however, we’ve focused on typefaces which are definitely worth spending money on.
60S FONTS SANS SERIF UPDATE
Now it’s time to update our selection with typefaces we’ve missed then and new typefaces which have been developed over the last year.īelow you’ll find over 60 first-class corporate fonts.
60S FONTS SANS SERIF PROFESSIONAL
Last year we’ve presented 80 Beautiful Professional Fonts, a selection of excellent typefaces one should be aware of when developing web-sites. To communicate effectively, typography requires appropriate typefaces. Since written text is the most efficient instrument to communicate with visitors precisely and directly, the power of typography shouldn’t be underestimated. Among other things, effective typography manages to achieve two important objectives: a) to create an appropriate atmosphere and enable users to develop trust toward the site and b) to make sure visitors get the main message of the site and (if possible) become interested in the services offered on the site. Typography is more than being legible and looking good. Quick summary ↬ Typography is more than being legible and looking good.